Wednesday, June 6, 2007

Luck Smiles for a Filipino Actor

Video Update. Ken Moraleda featured
in Balitang Australia via TFC/ANC
23 Oct 2007









Kenneth (Ken) Moraleda

I didn’t have any clue what Lucky Miles meant until I saw it at the end of movie. It is title of a new Australian movie to be shown this month at Sydney Film Festival.
Surprisingly a Filipino plays major role and top billed at beginning of film credits. Guy’s name is Kenneth Moraleda who invited us to see an advanced screening. Family gladly tagged along. We were at majestic Dendy Cinema at Circular Quay, right under the Art Deco pillars of the Big Toaster (a giant monolith of a hotel built in the throat of island protrusion where Sydney Opera House sits).

Here’s where I caught up with Ken. He played Arun, a Cambodian refugee, which is a major role in this black comedy movie involving human trafficking, human nature, human tragedies and human compassion. Australians can take care of themselves…in so many different ways. I thought that was an awesome film. Funny but full of objective reality and sensitive to social issues.
In this film I saw true reconciliation of people divided by 2 different cultures. It's heartwarming to see these guys working together for the sake of the country. Australians are shown as compassionate people. It’s well-deserved; unlike sugar-coated compassion peddled by some politicians to keep immigration issues kept well hidden under a pile of carpet.


The film showed that compassion transcends culture and identity. Genre was well played and summarily exhausted. And yes, I’d say..it kind of reminded me of that The Gods Must Be Crazy movie. Very funny understatements, clever plot and good, precise editing. Lots of characters, too! Tho’ some characters faded into oblivion and lost their paths;-) I enjoyed the shifting of emotions and sympathy for characters.


I suggest you see this terrific Australian movie; this one is not for the malls. To appreciate it is to acknowledge the different emotional states people could be subjected to by the ever-changing political climate. Tolerance and compassion shall win over self-defeatism, fatalism and pragmatic attitudes.

The film also reminded me of the sufferings endured by early Australian pioneer-explorers like Matthew Flinders, William Dawes, Burke and Wills in this unforgiving desert continent. It dawned upon me that these film characters now became explorers incarnated, masochistically relishing the tyranny of distance, blindly servile to an invisible but universal intent to explore and take big risk.

You’ll be proud of Ken as a Filipino and as an Australian. Tho’ I reckon it would have been more exciting had Arun’s father was born-again Perth millionaire Alan Bond;-)

I’ve cornered Ken while he sipped his latte.

EA: Hi Kenneth, we’ve just seen Lucky Miles, that was
just 15 minutes ago. Arrgh, the refugees’ panicky voices still ring fresh in my ears. I enjoyed the film. Congrats bro! Did you enjoy outdoor movie set and playing a significant role there? One more thing, awesome cinematography! I thought I stepped into one of Sir Arthur Boyd’s paintings.

KM: Hi Edd! Yeah I did enjoy the shooting of Lucky Miles. We also filmed in South Australia to represent Western Australia and we basically spent 6 weeks in the middle of nowhere. The main shooting was done in an area six hours north of Adelaide, past the Flinders Ranges and it’s a kind of landscape I have never seen before.

EA: How long did it take to film under those dreadful, hot conditions?

KM: The filming was 8 weeks all up.

EA: That’s harsh! Pardon the pun but it sure was a hard act to follow. I could understand all the personal sacrifices. Have you been acting for quite a while now?

KM: I have. I started acting in 1992.

EA:How old are you now?

KM: I’m 33.

EA: Any other film project after Lucky Miles?

KM: Not at the moment. im going to head back to a movie
in the gold coast and that’s just about it.

EA: I reckon the film captured visually the real, geographic Australia. However with regards to the Australian people, would you agree with the plot and political lines of the movie? I mean contemporarily..you know, boat people, human trafficking, strict Australian immigration laws, coastal security, etc.

KM: Definitely, yeah, even if there’s only 4 major Australian characters in it, it’s very Australian in flavour. It’s got a great landscape and director Mike has given the film various specific and wry Australian sense of humour. It’s a very Australian film and yet very different from any other Australian film.

EA: So why a Filipino playing the role of Cambodian?

KM: I was at one point playing the Indonesian guy; everyone else were Indonesians and
Iraqis. Well they were all available and they thought I could do the role of the Cambodian well. We didn’t specifically play our own heritage, but you know I can play any role:)

EA: I thought I saw your face before on tv, did you appear at Neighbours?

KM: No I did not do Neighbours, but I did Water Rats, and Wild Side and
a show called Bondi Banquet; SBS had been good to me:)

EA: Oh okay, are you expensive?:-)

KM: Ha-ha-ha not yet.

EA: Stars will always shine, you will be for sure.

KM: My friends call me cheap all the time. I don’t know what they mean.

EA: Will Lucky Miles be shown abroad?

KM: Definitely Edd. There’s an international film competition next month, The Karlovy Vary where Amelie you know that French movie that won an award there. Yeah we’re doing the international film festival circuit this year and hopefully there will be other cinema releases outside. Definitely there will be a cinema release in July in Australia. On the 20th of June we will be at the Sydney Film Festival.

EA: Honestly I find you a very natural actor. Not a trace of acting you know;-)

KM: Thank you, well in real life OA ako:)

EA: You were born in..?

KM: A very strange story...I was born in Cambridge, Massachussets, in the USA, my parents were there studying when I was born then we moved back to the Phils. and stayed in lots of different places in the phils like Dagupan, Bicol and La Loma:)

EA: When did you come to Sydney?

KM: We arrived in Sydney in 1989 but we came from Seattle. We all came as a family.

EA: You think acting will be your real, serious career?

KM: Yes. I’ve been constantly acting even if there’s no visibility, I’ve been constantly working and acting in bits and pieces, like professionaly, not to a major extent but definitely enough to support me as, a profession, which is good but yes, I do odd jobs every now and then, just to support the lifestyle of a creative person, any creative person.:-)

EA: Did you go to any acting school?

KM: I went in an acting school in Kensington, pursued Dramatic Arts, finished there in 1995. I was first Filipino to graduate there which Is great.

EA Wow, good to hear you’re a pioneer there.
Any inspiring words for our young Fil-Australians here?

KM: Just keep at it. The more of us,the better the competition and the better this town would be.

EA: Suffice to say there’s no glass ceiling for Filipino-Australians and other Asiatic people for the film industry?

KM: None at all…and based on my experience in the industry, they always need people to represent all of these different multicultural faces on television and film and stage and it just comes down to a few of us that are actually trained. I know most of the people that I see in the auditions, there’s not enough, we need more

EA: Got any other skills Ken, aside from acting?

KM: I do graphics and design; I’m a mean karaoke singer:) Also did stage, I was in Lion King which went to Melbourne and then to China.

EA: Thank you and good luck to you Ken. It’s wonderful to meet a guy from Lucky Miles in person. Proud of you and our pinoy DNA!

KM : Thanks Edd. All the best to our Filipino-Australian community.

more info about Ken:

Retrieved from "http://en.wikipedia.org/wiki/Kenneth_Moraleda"

Kenneth Moraleda (born April 17, 1973) is an actor.
Of Filipino descent Kenneth Moraleda was born in Cambridge,Massachusetts,USA and has lived in Seattle, The Philippines and now calls Australia home. Kenneth trained at Australian Theater for Young People (ATYP) before being accepted into the prestigious National Institute of Dramatic Art (NIDA) graduating with a Bachelor of Acting in 1995.
Kenneth’s first lead in a feature film is the role of Arun in Lucky Miles directed by Michael James Rowland. Other film roles include Monsod in Miramax's The Great Raid directed by John Dahl and Tony in the short film Sweet and Sour.
Numerous television credits include playing Tim Young in the SBS series Bondi Banquet, Michael Lee in City Life for South Pacific Pictures and appearances on Water Rats, Wildside, White Collar Blue, Comedy Inc. and Playhouse Disney.
Notable theatre credits include creating the role of Roger Chan in Nick Enright’s A Man With Five Children for the Sydney Theatre Company directed by George Ogilvie and most recently playing Banzai in the Australian/Asian Tour of Disney’s The Lion King directed by Julie Taymor.

And here’s more info and film review about Lucky Miles:

The plot:
“Too much paradise. It’s 1990 and an Indonesian fishing boat abandons Iraqi and Cambodian refugees in a remote part of West Australia. Whilst most are quickly caught by officials, three men with nothing in common but their misfortune and determination escape arrest and begin an epic journey into the heart of Australia. Pursued by an army reservist unit, our three heroes wander deeper into the desert, desperately searching for civilisaion amongst the stones of the Pilbara. Lucky Miles, a black comedy about distance, difference and dud maps. Based on a collection of almost true stories.” -Cinematic Intelligence Agency
"exciting, political and darkly humorous"
-The Advertiser/Stan James

"an intriguing vision of Australia"
-The Age/Philippa Hawker

Brilliant. One of the great Australian films about Australia"
-FHM/Oscar Hillerstrom

"a winning streak of wry humour"
-Variety/Richard Kuipers








Tuesday, June 5, 2007

Morning Opera

Opera, wintry Sydney, and found my eskimo self at the footsteps of Sydney Opera House last Saturday. I still get hypnotized by the energy of this structural masterpiece by Danish architect Jorn Utzon.



(Above) Caricature of Mr. Utzon I did in 1980 for The Australian newspaper where I first worked as a cartoonist.

I took some shots as craft traders set up their booths. Also found this weird bus (above photo)parked right in the middle of the sacred tourist ground. If I were a gray ghost (aka parking officer) I would have double-booked this vehicle:-) Why? Well there's an extra vehicle (a Volks Kombi) welded on top of it! Check it out.




Newspaper photo above (Daily Telegraph) of the SOH under construction in 1973. The work site looked like a hopeless origami. There was much controversy building this thing, e.g. issues of overbudget which threatened completion of the building. Local architects insisted on changing some plans. Offended, Jorn Utzon walked out of the project but eventually returned after 30 years, wounds healed and the Opera sails gleamed brighter.




I've probably taken hundreds of photos of this majestic building since 1979 when I first arrived. That saturday morning there was nary a tourist around (probably still tucked in bed in their warm suites up the Big Toaster).

Walking further down towards Circular Quay I found a group of people with red umbrellas milling around. What's this? Women dressed in red, face masks, kitsch, a restrained voice on the megaphone and a wheelybin with a little sound system belting out songs by Ol' Blue Eyes.


But what's the buzz? I heard Sophia Loren is in town. Could these women who were all dressed up like opera performers be her fans?



Nope! I soon found out when they unfurled a big, red banner. By instinct I felt sympathy for these workers who despite the stigma of their profession have found courage to publicly air their desire to reform laws that restrict L' Amore attraverso i secoli.

A very elegant form of protest I thought. A rare sight--nocturnal workers exposed in broad daylight. Unfortunately the event didn't seem to have caught the media's attention. Meantime tourists appeared from nowhere and were intrigued by this unusual distraction. However their camera flashes under the blinding sunlight intrigued me more tho:-)

Protesters ended up on the footsteps of SOH where I was minutes ago. The group seemed like a red, floral bouquet under the giant sails. Veronica's angels scattered like rose petals and blended in the crowd. The cold wind that took time lifting up the fog at the northern shore whispered something in my ear...time to go to Dendy.

Sunday, June 3, 2007

What a Mug!

Another Anobato for you guys. Have you got any clue what's in this photo?





Okay, here's a sharper view..


Of course, it's a cobweb! How big can Spidey be?

I didn't have the heart to clean my coffee mug when I found it in the garage. Well it was missing for weeks. My favourite mug with Ugly written on it (a Sydney radio Easter Show promo). The baby spider was gone (he couldn't have licked off all that caffeine residue could he?)
Anyway I thought this entry would be a nice sequel to my last. Quite relevant with all the Spider-man hype and merchandising around; but I hope you liked my images sans special effects;-)